OperaV1, Main, Exploration, bibRecord, 001C72

REVEILING THE WOMAN: PASSION, PRESENCE, AND INTERTEXTUALITY IN MICHEL LEIRIS'S FOURBIS

Identifieur interne : 001C72 ( Main/Exploration ); précédent : 001C71; suivant : 001C73

REVEILING THE WOMAN: PASSION, PRESENCE, AND INTERTEXTUALITY IN MICHEL LEIRIS'S FOURBIS

Auteurs : Sea N Hand

Source :

French Studies [ 0016-1128 ] ; 2004-01.

RBID : ISTEX:5DF1465269155D3E962F63282B0B5ED6E79C2EB6

Descripteurs français

Pascal (Inist)
- Autobiographie, Désir, Femme, France, Intertextualité, Jouissance, Leiris (M.), Nerval (G. de), Opéra, Passion, Présence, Siècle 20.
Wicri :
- geographic : France.
- topic : Femme.

English descriptors

KwdEn :
- Autobiography, Century 20, Desire, Enjoyment, France, Intertextuality, Leiris (M.), Nerval (G. de), Opera, Passion, Presence, Woman.

Abstract

The article recalls how woman is the primary signifier of Leiris’s desire for presence before examining the most powerful example of this effect: namely the account given, in the closing chapter of Fourbis, ‘Vois! Déjà l’ange...’, of Leiris’s relationship with an Algerian prostitute called Khadidja, while he was stationed as a soldier in North Africa during the ’drôle de guerre’. The article shows how the colonial situation is intertextually recast and obscured; it draws on Nerval, European modernism, opera and numerous classical references, as well as on Leiris’s own ethnographic writing. The conclusion points up how the multiplication and erasure of Khadidja as an object of desire rhythmically confirm the consuming presence of Leiris as a passionate subject.

Url:

https://api.istex.fr/document/5DF1465269155D3E962F63282B0B5ED6E79C2EB6/fulltext/pdf

DOI: 10.1093/fs/58.1.47

Affiliations:

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<front><div type="abstract" xml:lang="en">The article recalls how woman is the primary signifier of Leiris’s desire for presence before examining the most powerful example of this effect: namely the account given, in the closing chapter of Fourbis, ‘Vois! Déjà l’ange...’, of Leiris’s relationship with an Algerian prostitute called Khadidja, while he was stationed as a soldier in North Africa during the ’drôle de guerre’. The article shows how the colonial situation is intertextually recast and obscured; it draws on Nerval, European modernism, opera and numerous classical references, as well as on Leiris’s own ethnographic writing. The conclusion points up how the multiplication and erasure of Khadidja as an object of desire rhythmically confirm the consuming presence of Leiris as a passionate subject.</div>
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REVEILING THE WOMAN: PASSION, PRESENCE, AND INTERTEXTUALITY IN MICHEL LEIRIS'S FOURBIS

REVEILING THE WOMAN: PASSION, PRESENCE, AND INTERTEXTUALITY IN MICHEL LEIRIS'S FOURBIS

Source :

Descripteurs français

English descriptors

Abstract

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